The Priory of Sion narrative joins modern dossiers, a royal genealogy and a claim about Jesus and Mary Magdalene. A novel’s factual preface, the BBC’s transmission history, a reference-book synthesis, a review of an alleged fabricator’s account, a translated judicial report and a copyright judgment have different evidentiary roles. Together they document the story’s construction and circulation, not an authenticated ancient order or a verified hidden bloodline.
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