> FILE INDEX_

The 2020 *Plandemic* film amplified Judy Mikovits’s claims that COVID was planned and that health agencies suppressed her work. Primary doors document her co-authorship on the 2009 *Science* XMRV/CFS paper, that paper’s 2011 full retraction, NIH multi-lab non-confirmation of XMRV in blood, and federal court dismissals of her C.D. Cal. and D. Nev. actions. The Archive sets film claims beside those records under contested/L2 without baptizing planned-COVID or sneering.

On 22 November 1987 unidentified perpetrators hijacked Chicago WGN-TV and WTTW with a Max Headroom-masked figure via studio-to-transmitter microwave overpower. UPI wires and FCC investigation quotes document the dual-station event; no charged defendant appears in the open record. Contested/L2 HOLD—event documented, identity unsolved.

Tony Podesta's contemporary collecting and museum gifts appear in AU Museum exhibition materials, Washington Life, and Guardian profiles. After 2016, adherent dossiers treated figurative works as occult "map" evidence. The Archive documents the public art record beside the symbol-claim reception, refuses occult-crime baptism, refuses erasure of the exhibition record, and keeps living-person captions inside role verbs under contested / L2.

Public murals and Instagram-era imagery associated with Comet Ping Pong and owner James Alefantis became a 2016 symbol-mapping claim-set. Artist Arrington de Dionyso and clarifying reporting deny trafficking readings; the U.S. v. Welch complaint records an armed entry motivated by those stories. The Archive documents the public images and claim-set beside artist/court doors without baptizing basement trafficking or erasing that the images circulated—under contested / L3 living-person care.